FOUR FEATHERS PRESS ONLINE EDITION: CITY LIVING Send up to three poems on the subject of or just using either the words city and/or living totaling up to 150 lines in length in the body of an email message or attached in a Word file to donkingfishercampbell@gmail.com by 11:59 PM PST on February 16th. No PDF's please. Color artwork is also desired. Please send in JPG form. No late submissions accepted. Poets and artists published in Four Feathers Press Online Edition: City Living will be published online and invited to read at the Saturday Afternoon Poetry Zoom meeting on Saturday, February 17th between 3 and 5 pm PST.

Wednesday, February 14, 2024

Alicia Viguer-Espert


The Return

 

I return to my city,

search in the cafe of La Alameda,

the young hand holding a wine glass,

his gaze distant and profound.

 

I return to my city

where every adolescent resembles

the one I knew so well but never knew,

nor understood the consuming flame

 

burning his wings of moth,

the mystery of strings 

holding his grasshopper legs

propelled by fire.

 

I return to my city,

cross a whole ocean to hear

his voice in the evening news,

a local station discussing his work,

 

those documentaries of life in Africa,

savannah, desert, lakes, wilderness,

his love for open skies, and I remember

exactly when those fraying strings were cut

 

on that summer night

when I said, I couldn’t be sure,

perhaps it wasn’t love, but plain desire,

and he said, desire is never plain.

 

Previously Published at Live Encounters 

 

 

 


The Phone Call

 

                   I

The music, a crying guitar

much like an infected violin

chews leaves blown by winter,

my heart pounded by absence

never expected again to palpitate

clean like a new whistle taken out

of its wrapping at the store.

 

                     II

The phone rings to that song

we used to dance to by the sea.

The ghost of your voice from abroad

shakes me out of my incantations,

resurrects embers from long dead ashes.

I know the clear skin of yesteryears,

strong thighs, and certain softness

surrounding those forest green eyes

form residues of memories now

stiff with coldness and distance.

 

                        III

I search for a photograph as we speak

to match the face to the vulnerable voice

of a Peter Pan slow to grow to his potential.

You’re famous now, and a different voice

implores forgiveness through air waves

since cables too are gone, and nothing

ties us together anymore.

 

Previously Published at Live Encounters


 


Letter to My Iranian Lover

How City Living Changes Us

 

In the old days, voices connected by wire

Now waves carry them unbounded

To our palms, no strings attached

Floating just like our lives

In a limbo of our doing.

 

I think of seagulls’ long calls

Waiting for the sun to warm

Tail and wing to fly away

Early in the morning.

You recognize the behavior.

 

I picture you as a tolling bell

Calling the faithful to Mass

More than the muezzin of youth

Forgotten so effortlessly.

Move away, watch structures crumble

 

Under foreign pressures,

Non halal food, reshaped ideology,

Those openly inviting women

Exactly like open face sandwiches

At Grenouille’s near the Sacré Coeur.

 

Yesterday I visited your mother

Old now, opaque film interferes

With her field of vision, a common experience.

My heart flares up like fireworks knowing

I may be the one weeping when she dies.

 

I won’t join you in Paris,

You’ll never return to our blue beaches,

The Madrassa, Ibrahim’s workshops.

Nor walk by fruit stalls showing their colors,

The one thing you have not shown me.


Previously Published at Panoply

 

 

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